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A Hero of Our Time (Unabridged)
Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of our Time takes on a variety of forms to interrogate Pechorinâs cryptic character and his unusual philosophy providing breathtaking descriptions of the Caucasus along the way. The novel has been hailed as an influence on such writers as Dostoyevsky, Tolstoy, and Chekhov, and is a striking take on Lord Byronâs âsuperfluous manâ; it hearkens back to the teaching of Machiavelli, while anticipating the future work of Nietzsche. Nicholas Boultonâs remarkable fluency and beauty of tone defy the listener to take a break from this unique story. Hailed by Vladimir Nabokov as one of the greatest Russian novels, the book has been referenced in novels by Albert Camus and Ian Fleming, and films by Ingmat Berman.
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Grigori Aleksandrovich Pechorin is an enigma: arrogant, cocky, melancholic, brave, cynic, romantic, loner, socialite, soldier, free soul, and yet, victim of the world, he eludes definition and remains a mystery to those who know him. Just who is he? And what does he hope to achieve? Evolving from first person to third person, and then into a diary, A Hero of our Time takes on a variety of forms to interrogate Pechorinâs cryptic character and his unusual philosophy providing breathtaking descriptions of the Caucasus along the way. The novel has been hailed as an influence on such writers as Dostoyevsky, Tolstoy, and Chekhov, and is a striking take on Lord Byronâs âsuperfluous manâ; it hearkens back to the teaching of Machiavelli, while anticipating the future work of Nietzsche. Nicholas Boultonâs remarkable fluency and beauty of tone defy the listener to take a break from this unique story. Hailed by Vladimir Nabokov as one of the greatest Russian novels, the book has been referenced in novels by Albert Camus and Ian Fleming, and films by Ingmat Berman.












