
Beethoven: Sonatas for Fortepiano & Violin / Watson, Ogata
In celebration of the 250th anniversary of Beethovenâs birth, CORO Connections is delighted to present Ian Watson and Susanna Ogataâs acclaimed complete exploration of the Sonatas for Fortepiano and Violin in one stunning boxed-set edition. All 10 sonatas, performed exclusively on period instruments, from the epic âKreutzerâ to the sublime âSpringâ feature in this four volume set. âThe music's moody outbursts and vivacity come fully alive in elegant readings that are attentive to quicksilver changes in dynamics and articulation...the Sonata No. 4 in A minor is darkly played, their 'Kreutzer' Sonata brilliant and stormy.â (The New York Times) âThere's something positively gleeful about the way the pair deliver the opening gambit of Op. 30 No. 3, and the same sonata's Haydnesque finale practically swings.â (Gramophone) âTheir trim, alert reading of Op.24 arguably provides their most effective and expansive vehicle yet...it combines an appropriate sense of idiom with an abundance of vitality, sensitivity and insight, and furnishes Beethovenâs textures with a clarity rarely achieved.â (The Strad)
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Description
In celebration of the 250th anniversary of Beethovenâs birth, CORO Connections is delighted to present Ian Watson and Susanna Ogataâs acclaimed complete exploration of the Sonatas for Fortepiano and Violin in one stunning boxed-set edition. All 10 sonatas, performed exclusively on period instruments, from the epic âKreutzerâ to the sublime âSpringâ feature in this four volume set. âThe music's moody outbursts and vivacity come fully alive in elegant readings that are attentive to quicksilver changes in dynamics and articulation...the Sonata No. 4 in A minor is darkly played, their 'Kreutzer' Sonata brilliant and stormy.â (The New York Times) âThere's something positively gleeful about the way the pair deliver the opening gambit of Op. 30 No. 3, and the same sonata's Haydnesque finale practically swings.â (Gramophone) âTheir trim, alert reading of Op.24 arguably provides their most effective and expansive vehicle yet...it combines an appropriate sense of idiom with an abundance of vitality, sensitivity and insight, and furnishes Beethovenâs textures with a clarity rarely achieved.â (The Strad)


