Brouhaha, the new album by Glass Farm Ensemble founder and director Yvonne Troxler, is far more than an assemblage of her most compelling new chamber pieces-it works the seams where music connects to the world and finds startling connections there. Whether drawing on the natural tones produced by a high-rise building in New York City during a storm (Penn 1), calling on the metaphorical weight of meteorites disguised as common rocks in a small Indian village in the three movements of Shergotty, or incorporating glass bowls into a work inspired by a Swiss musical tradition of rolling coins inside ceramic bowls, Troxler's music doesn't stand apart from the clamor of everyday life but instead embraces and celebrates it.