C.P.E. Bach: Complete Keyboard Concertos Vol 17 / Spanyi, Mattson, Opus X
C.P.E. Bach: Complete Keyboard Concertos Vol 17 / Spanyi, Mattson, Opus X
MiklĂłs SpĂĄnyi is still cranking out C.P.E. Bach recordings, and he's lucky in having a label as loyal and dedicated as BIS. This is Volume 17 out of, I don't know, a billion or so, and like the other discs in this series it's pretty terrific. SpĂĄnyi uses a harpsichord in the F major concerto and a tangent piano in the other two works. His playing is consistently stylish, full of life, lyrical and virtuosic by turns. And let's not forget: Emanuel Bach was a very, very good composer. The music is consistently interesting and characterful, from the colorful horn writing in the F major concerto to the surprising harmonic twists and turns in the C minor (C.P.E. in minor keys is always special). Toss in pellucid engineering and excellent accompaniments from the intrepid members of Opus X Ensemble, and the result is a joy. Really, you can dip into this series anywhere and be rewarded with excellent, unfamiliar music. Why not start here?
MiklĂłs SpĂĄnyi is still cranking out C.P.E. Bach recordings, and he's lucky in having a label as loyal and dedicated as BIS. This is Volume 17 out of, I don't know, a billion or so, and like the other discs in this series it's pretty terrific. SpĂĄnyi uses a harpsichord in the F major concerto and a tangent piano in the other two works. His playing is consistently stylish, full of life, lyrical and virtuosic by turns. And let's not forget: Emanuel Bach was a very, very good composer. The music is consistently interesting and characterful, from the colorful horn writing in the F major concerto to the surprising harmonic twists and turns in the C minor (C.P.E. in minor keys is always special). Toss in pellucid engineering and excellent accompaniments from the intrepid members of Opus X Ensemble, and the result is a joy. Really, you can dip into this series anywhere and be rewarded with excellent, unfamiliar music. Why not start here?
--David Hurwitz, ClassicsToday.com
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