[T]he [violin] concerto thoroughly deserves its new lease of life, and Little and Hickox’s sparkling and stylish advocacy will win it many new friends. . . . Hickox and the City of London Sinfonia . . . are no less responsive to the radiant string textures of the chaste, rather Bachian Prelude and more emotive Romance. Lovely, airy sound and exemplary presentation further enhance the appeal . . . . -- Gramophone