"In the Symphonic Variations, Crossley avoids Lisztian flamboyance and generalized 'romantic' inflexion and yet there is plenty that is individually and imaginatively shaped (not least the finale's 'cadenza'); and both he and Giulini maintain a sense of flow and direction. I particularly liked the way Crossley gently accelerates out of the mists of the last variation into the spirited finale..." -- John Steane, Gramophone [3/1995]