In the finale [The Abegg Trio] plays the hundred bars written by Schubert which impose on the movement a completely different form and - due to the repeated quotation of the sombre slow movement - expression. The fact that the music never loses balance and gains that heavenly length once enthusiastically admired by Schumann, is the best reference one could make to the ensemble; and if anyone does not like this addition, they can listen to the movement in it's more usual form as an encore.