The orchestra of Le Consort, in the course of it's exploration of Vivaldi, reveals the many facets of this inexhaustible cycle. To achieve this, Th�otime Langlois de Swarte has held up a subtle mirror to other works by the 'red-haired priest'. All of them perpetuate the seasons in their own way, through shared memories and impressions; in the background Lambranzi's Venetian dances complement this musical picture awash with colors.