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LE JOUR DE L'AN
Jesus Bal y Gay (Lugo 1905 â Madrid 1993) and Salvador Bacarisse (Madrid 1898 â Paris 1963) were two musicians and intellectuals who belonged to the group known as the Generation of â27. Having received their education in Spain, they went into exile as a consequence of the atrocities of the Civil War that Spain suffered between 1936 and 1939. Written in 1942 and performed for the first time in 1946, the âDivertimento for Woodwind Quartetâ is structured in 4 movements. Some aspects attest to the clear influence of Falla, and the use of rhythmic and harmonic pedal notes owes an obvious debt to Stravinsky, charting an aesthetic line close to Neoclassicism. The âConcert pour le jour de lâanâ (âConcert for the Day of the Yearâ), for Harp and Woodwind is an expanded version of the âConcerto in E flatâ that Bacarisse wrote in 1954 for the same combination of instruments which was subsequently reorchestrated in 1961 under the same title (âConcert pour le jour de lâanâ) but in this case with the orchestration increased to âfor Harp and Orchestraâ. There is no record of the first version having ever been performed.
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Jesus Bal y Gay (Lugo 1905 â Madrid 1993) and Salvador Bacarisse (Madrid 1898 â Paris 1963) were two musicians and intellectuals who belonged to the group known as the Generation of â27. Having received their education in Spain, they went into exile as a consequence of the atrocities of the Civil War that Spain suffered between 1936 and 1939. Written in 1942 and performed for the first time in 1946, the âDivertimento for Woodwind Quartetâ is structured in 4 movements. Some aspects attest to the clear influence of Falla, and the use of rhythmic and harmonic pedal notes owes an obvious debt to Stravinsky, charting an aesthetic line close to Neoclassicism. The âConcert pour le jour de lâanâ (âConcert for the Day of the Yearâ), for Harp and Woodwind is an expanded version of the âConcerto in E flatâ that Bacarisse wrote in 1954 for the same combination of instruments which was subsequently reorchestrated in 1961 under the same title (âConcert pour le jour de lâanâ) but in this case with the orchestration increased to âfor Harp and Orchestraâ. There is no record of the first version having ever been performed.


