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Truths
In the aftermath of the 20th century, it seems that Berliozâs old prophecy has been finally fulfilled. He saw in the saxophone the spring of sound of âunheard of effects until nowâ. Furthermore, unlike other instruments of more deep-rooted tradition, the saxophone is open nowadays to many and unsuspected possibilities. Good evidence of this claim is the program brought together here by Angel Soria. Six recent pieces within a time period of two decades (the oldest one goes back to the year 2000), written by composers of different aesthetics (despite all of them belonging to what it is generally called the avant-garde), define the plurality of the aesthetic and expressive options offered by the saxophone. The âtruthâ of the saxophone is neither unequivocal nor one-dimensional. Instead, it includes many truths that reflect, in a wide range, the complexity of the current times.
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Description
In the aftermath of the 20th century, it seems that Berliozâs old prophecy has been finally fulfilled. He saw in the saxophone the spring of sound of âunheard of effects until nowâ. Furthermore, unlike other instruments of more deep-rooted tradition, the saxophone is open nowadays to many and unsuspected possibilities. Good evidence of this claim is the program brought together here by Angel Soria. Six recent pieces within a time period of two decades (the oldest one goes back to the year 2000), written by composers of different aesthetics (despite all of them belonging to what it is generally called the avant-garde), define the plurality of the aesthetic and expressive options offered by the saxophone. The âtruthâ of the saxophone is neither unequivocal nor one-dimensional. Instead, it includes many truths that reflect, in a wide range, the complexity of the current times.


